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Dyeing studio Masashige

Using the technique of dyeing kimonos, "hand-drawn yuzen," we value the sensibility of "wearing paintings" cultivated by wearing kimonos, and create works that make customers feel "relaxed"

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Dyeing studio Masashige

ソメコウボウ マサシゲ
Vendor
染工房正茂
Using the technique of dyeing kimonos, "hand-drawn yuzen," we value the sensibility of "wearing paintings" cultivated by wearing kimonos, and create works that make customers feel "relaxed"
2,259
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About the brand

Using the technique of dyeing kimonos, "hand-drawn yuzen," we value the sensibility of "wearing paintings" cultivated by wearing kimonos, and create works that make customers feel "relaxed"
1
From the design of the pattern to dyeing and completion, Yuzen artist Masashige Kaminaka does it alone. Therefore, it is not suitable for mass production, but it is carefully made one by one.
2
Hand-drawn yuzen is a technique that has been inherited from the Edo period as a technique for dyeing kimonos, but it uses techniques on materials such as cotton, linen (linen), and leather to create items that suit modern life
3
Hand-drawn Yuzen was originally created for the person who wears the kimono and for the customer, so it is also a technique that is suitable for giving shape to the customer's thoughts, such as custom-made

More about the Brand Owner

上仲 正茂

ウエナカ マサシゲ

1972 Born in Kyoto. Influenced by his father, who was a craftsman, he naturally became a craftsman who painted kimonos by the time he graduated from junior high school. 1991 Graduated from the Department of Japan Painting at Kyoto Municipal Copper Camel Arts and Crafts High School, and studied under Mr. Tokio Haneda, holder of the Important Intangible Cultural Property (Human National Treasure) "Yuzen". 2004 After 13 years of training, he became independent. 2013 Certified as a certified craftsman of Kyoto "Kyo Yuzen" (Kyoto Prefecture). 2019 The dyeing plaque "Hiten" produced in Heisei 19 is dedicated to the Kuzuryu Taisha Shrine. 2022 Recognized as a future master "Kyo Yuzen" (Kyoto City).
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Why are we doing?
What are we doing?
Commitment to the product
Who are supporting us?

Why are we doing?

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"I want to make drawing my career."
 
I have loved drawing since I was a child.
I had a vague idea that when I grew up, I wanted to get a job as a painter.
 
Simply a cartoonist or something like that.
 
Many years passed, and my father was also a craftsman who put gold leaf on kimonos.
By the time I graduated from junior high school, I wanted to get a job painting in a kimono
It got me thinking.
 
Therefore, I became a teacher in the painting class that I had been attending since elementary school.
When I consulted with them, they told me that there was a high school that specialized in art.
He taught me to study Japan painting there.
 
Then, I studied drawing Mr./Ms. in the painting class and successfully entered the high school.
Japan was able to learn painting.
 
The reason I entered high school was to draw on kimonos.
From the beginning, I didn't think about going to university.
 
I thought that the sooner I got a job, the better.
After studying for three years, I thought about getting a job, and I was introduced to a high school teacher.
I decided to train under Tokio Haneda, a human national treasure of Yuzen.
 
There, rare in Kyoto, from the design of the pattern to the completion
Since it was a style of integrated work, I learned a number of processes for dyeing.
 
At first, I was only thinking of "sketching" a picture on a kimono.
By the time I finished my training, I wanted to complete something by myself
I started to think about it, and after 13 years of training, I became independent and have been doing so ever since.
 
By "wearing" and "wearing" what I draw,
I hope that my heart will be fulfilled and my daily life will be enriched.
 
 

What are we doing?

Using the technique of dyeing kimonos "hand-drawn yuzen" to create various items
 
What we produce is based on Japanese clothing such as kimonos and obi.
In modern times, as lifestyle habits change, kimonos and obi
We are no longer in an era where we can sell a lot.
 
Still, I don't want to lose the technology I've inherited from the Edo period! and
We are looking for ways to create items that fit our modern lifestyles.
 
In terms of hand-painted Yuzen, silk is the main material when processing into kimonos.
When using it on a daily basis in a stole, be careful when handling silk
You may hear voices such as.
 
In such a case, it does not mean that we stubbornly only handle silk.
I try to be flexible in thinking about what is easier to handle.
 
With linen, you don't have to worry about washing and handling it.
If you want to make a linen stole, or use a business card holder or an accessory holder,
If it is a cloth product, it will fluff and tear as you use it.
I don't think leather is that burdensome, so I made it using leather as a material
We make use of technology in various materials.
 
It cannot be mass-produced, but because it is manual work, it is possible to respond in detail.
I hope to be able to.
 
We think that the items can be used for Japanese and Western clothing.
Fabric accessories such as stoles, earrings and bag charms,
Small leather items such as business card holders, book covers, art panels
We are producing something like this.
 
 
 
 

Commitment to the product

"Hand-drawn Yuzen is close to you!"
 
■ Fabric Accessories Earrings Peacock
 
Based on the concept of hand-painted Yuzen "wearing a painting"
"Dyeing Studio Masashige" and "Cloth and Thread Craft Jewelry Sextile"
It was created in collaboration.
 
In order to make Yuzen dyeing more familiar and familiar, both Japanese and Western clothes
I aimed to create a work that can be enjoyed.
 
Kimonos have a pattern called a picture feather pattern that connects the patterns by sewing.
That's the real pleasure of kimono, but it's reminiscent of that
The pattern is changed on the left and right.
You can also enjoy changing left and right depending on the mood of the day.
 
A dish that can be used for a wide range of purposes, from everyday use to gorgeous places
 
For a fashionable accent!
 
 
■ Hand-painted Yuzen-dyed business card holder bamboo on leather
 
It is a business card holder with a design that connects the cover, the main body and the pattern.
 
For sewing, we use Kyo-kumi string and add a Japanese taste.
 
The outline line is decorated with gold wire, and there is a gorgeousness in the calm.
 
Since it is a rare thing called hand-drawn Yuzen on leather, it is used in the business scene.
It's also a good conversation starter.
 
Leather acquires a candy color over time.
As the years go by, the taste comes out, and you can enjoy growing leather.
 
 
 

Who are supporting us?

For those who like handmade, handmade, crafts, and kimono
We are interested.
 
In addition to the online shop on HP, we also handle crafts
At the hotel's shops, select shops, and online shops
We are available for you.
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Dyeing studio Masashige
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Dyeing studio Masashige
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